“Never without my permission!”~ on consent, copyright and general good manners.
If you have ever seen the film The Fifth Element, you’ll remember the scene when Leelou, the beautiful alien “Supreme Being” is kissed when semi-conscious by Corban Dallas (Bruce Willis) and she responds by uttering a few words in her own language before kicking his ass all over the place. Those words, when translated by the character played by Ian Holme, mean, Never without my permission.
Consent is a big one, you know. Whether it’s for kissing, copulating or other things, it’s important. Most women (and some men) know what it’s like to have your consent ignored and even your right to consent/non consent disputed. But it goes beyond the physical. Intellectual property can be stolen, or misused, and that’s what I’m writing about today. I wanted to put into some context quite why it can be a huge deal for creatives to find their work used without their express consent.
A number of times most years I get an email or a message, asking if such and such a piece from this blog might be used for something. Sometimes it’s for a magazine, sometimes for a website. My answer is generally a positive one, asking only that my full name and my blog details be included, and that the piece is not altered in any way. I don’t ask for a fee; what I tend to hope is that the person asking will have the good will to perhaps buy a book or something of that sort. I don’t ask that they do, but I would have thought that common decency would suggest that there is a gentle quid pro quo involved. After all, they have been allowed to use my work for no money changing hands.
However, having recently discovered that a piece of poetry has been used and set to music, I was concerned. I had not been asked before it was done. I’ve had a poem set to music before; the Celtic Podcast Show asked me if they could do so, and I agreed. The Winter Queen was beautifully performed and the correct credits given, so all was well. But they asked BEFORE they did so, not after. It’s far better to seek permission than ask for forgiveness.
To some this might seem foolishness on my part, to be bothered by this. Perhaps it is. However, I sincerely doubt that anyone would nab a poem by Mary Oliver and do something with it, because the likelihood is they would find themselves in the hottest of waters and be lucky to get away with just a cease and desist notice. Because I am not a big name in the world of poetry does not mean I can be treated like I don’t matter, simply because I would not have the means (financial or emotional) to pursue breaches of copyright. Some would argue that I shouldn’t care because it’s exposure. Yes, sure, if they have included my name, perhaps there is some benefit possible. But it’s actually quite limited. Imagine a hundred people heard a poem performed. How many will actually register the name of the poet, go home, look up that poet and start to follow their work? And what if the poem had been changed to suit the musical needs or the philosophical stance of the performers? It’s a very thin line indeed.
Creative artists have a hard enough time of it anyway; theft on the internet is rife. That’s one reason why I have the No Pinning badge on the side bar. When Pinterest first popped up, I soon found several photos of mine from here had been nabbed, posted on Pinterest (admittedly, there’s a route back to here) and they’d put their own spin on the pictures. I don’t do searches for my name and my work because I’d die of exhaustion sending out cease and desist notices, I suspect. From time to time I know some school somewhere has been setting homework asking for “A poem on X,Y,Z” because that pops up on the search terms section of the blog dashboard. That’s one reason I’ve put up far less of my own original poetry and fiction here, because it’s unprotected.
Too many writers are getting so heavily discouraged by lack of sales, lack of reviews, general lack of interest, being pirated, that they have given up. To get a book out there one needs at some level to consider return of investment, even if, like me, they don’t consider themselves to be business men or women. I’ve had to stall my next collection of poetry because I realised it needed to be reformatted, and the back matter needs rewriting. It needs rewriting because I had included a short quote (well within fair usage policy guidelines) from Mary Oliver; I then realised to use such a quote on the back matter or in the blurb is dishonest. It misleads, implying that she has somehow endorsed the book. In fact, that short quote was a flashpoint that inspired one of the poems in the book, but even so, I cannot use it or her name like that. But because I have little energy to spare, this project is completely stalled. It’s frustrating because the business with the poem set to music suggests that someone (or many) loves my poetry but didn’t have the understanding needed to actually ask me before they did what they did. It’s not as if I am hard to find. There’s a contact me page at the top of the blog header; I have a Facebook author page. It means I have even less incentive to publish poetry or short fiction here, even less incentive to go through the work involved in getting a book together, because it would seem somepeople are happy to read, to “borrow” but are reluctant to support a poet in one of the ways that will keep them writing (buying a book, reviewing, telling others are just a few)
I wrote a poem today, too. But I won’t be sharing it any time soon.