Going live…

Going live…

Little Gidding Girl is in the process of publishing. The UK link for the ebook has gone live here. The paperback link is here (they will be joined up at some point)

The Launch party on FB is here.

I shall be sharing more blog posts over the coming weeks about the themes and so on of the book (and some guest posts too) but this is just the heads up to the readers of this blog who are interested.

I’ll add links as the day goes on.

US version here: https://www.amazon.com/dp/B07315QQ5N

German version here: https://www.amazon.de/dp/B07315QQ5N

Canada here: https://www.amazon.ca/dp/B07315QQ5N

Australian here: https://www.amazon.com.au/dp/B07315QQ5N

India: https://www.amazon.in/dp/B07315QQ5N

France: https://www.amazon.fr/dp/B07315QQ5N

Netherlands: https://www.amazon.nl/dp/B07315QQ5N

Other stores (Japan, Spain, Mexico) please use the links above and alter the dot whatever in the URL to whatever suffix is needed. So far I haven’t sold anything in those countries’s stores so do surprise me if you use them!

Little Gidding Girl launching at the Summer Solstice

Little Gidding Girl launching at the Summer Solstice

After much work and heart-searching, I decided that I’d choose a date for the launch of Little Gidding Girl, and since the story starts at the Autumn Equinox, the launch is going to be midsummer, around the Summer Solstice. I’ll be blogging more about the significance of the equinoxes and solstices but there’s good but hidden reasons why these dates are important.

The paperback is out already, giving those who prefer paper to digital a chance to get a copy in advance of the launch of the ebook, because a paperback has to find its way via whatever postal system is in place and can take days or even weeks to arrive.

I’ll be sharing various blog posts over the coming weeks, but this is the blurb:

“At seventeen, Verity lost the future she’d craved when Nick, her enigmatic and troubled poet boyfriend, drowned at sea. At thirty-five, in a safe, humdrum and uninspired life, she finds that snatches of the life she didn’t have begin to force their way into her real life. This other life, more vivid and demanding than her actual life, begins to gather a terrible momentum as she starts to understand that her un-lived life was not the poetic dream she had imagined it might be. Doubting her own sanity as her other life comes crashing down around her in a series of disasters, Verity is forced to re-examine her past, realign her present and somehow reclaim a future where both her own early creative promise and her family can exist and flourish together. Exploring the nature of time itself, the possibilities of parallel universes and the poetic expressions of both, Verity searches to understand why and how Nick really died and what her own lives, lived and un-lived, might truly mean.”

‘From the unknown spaces between what is, was, and will be, messages and sendings break through into Verity’s life: are they nightmares of a parallel reality or projections from a love that has flown? Vivienne Tuffnell keeps us guessing with utmost artistry as we trace the interweaving way-marks in pursuit of the truth. Little Gidding Girl kept me enthralled until the very end.’ – Caitlín Matthews, author of Singing the Soul Back Home, and Diary of a Soul Doctor

The UK link is here for the paperback:

https://www.amazon.co.uk/Little-Gidding-Girl-Vivienne-Tuffnell/dp/154460016X/

I’ve set up a cyber party on Facebook here:

https://www.facebook.com/events/134936727080106/

 

A cyber party involves discussions, pictures, music, laughs and chats and is a chance for people to show support and encouragement while not having to have a physical party. That way people from all around the world can attend, in their pjs if they wish! There’s no pressure to buy, just to have a bit of fun.

That said, I DO want folks to buy. That’s part of being an author: you want folks to buy your books.

I can’t emphasise enough also how vital early reviews are to the visibility of a new book.  I hate asking and I don’t want to be that annoying author who pesters, but it does make a difference. Nor do reviews have to be complicated or long, just as long as there’s no spoilers. I’ve read reviews over the years (of many books) where the reviewer is basically doing a book report the way they did for books at school; that usually means they contain content that can spoil the book for others.

So if you’re on Facebook, do invite yourself along (I can only invite a certain number) or you can always sign up on my Amazon page to be notified when new books are available.  Or you can simply wait for another blog, announcing the birth of a new book.

It’s exciting but also terrifying.

What to do while you’re waiting for the postman…

What to do while you’re waiting for the postman…

About ten days ago, I wrestled my way through the long-put-off edits for Little Gidding Girl, excising any direct quotes from T.S. Eliot and adding in numbers for footnotes so that the discarded lines could be referenced by readers should they choose to do so. Then I did yet another read-through for typos and stuff of that ilk, before uploading the completed text to Createspace. After the usual twelve or so hours wait, I got the notification that I could now order proofs.

Said proof copies are due to arrive by the 2nd of June. All of a sudden, it looks like this book might actually be happening after all.

Truth is, I’m unprepared. My brain seems to have gone into a state of acute fogginess, and my psyche has become frozen and unable to respond. Everything feels like it’s been slowed down; holding a conversation feels like I’m talking on a satellite phone to someone half a world away. There’s a delay between hearing and understanding, and another delay between understanding and replying.

I know that by this stage in the game other (successful) writers have their strategies for launch day in place. Blogs have been written, giveaways organised, tweets scheduled, FB party invites sent out, interviews conducted and your Street Team are all ready with their pom-poms and chants. Me, I’ve done nothing.

This is the first full-length piece of fiction to be released since Square Peg was published in April 2013. Four years is a long time. Yes, I managed to get The Hedgeway out in the October of 2014, and I’ve got the book of essays out and two books of poetry. But I’m a novelist who hasn’t released any novels for four years and I worry that the momentum I’d built has long since dissipated and readers have found other authors to enjoy.

I’m not even sure what LGG could be classified as. Broadly speaking it fits into “Women’s Fiction” but only because the main character is female. It’s not a romance, though love is involved. It’s not a mystery, though mystery is involved too. It’s not paranormal, though elements of it veer into that area. It’s not magical realism, or fantasy or coming-of-age, though again, it has aspects of all of them. No wonder my unlamented agent never managed to place it with publishers; there’s not a single nice easy label to slap on it and shove it out into the world. I’d call it literary fiction but there’s a pretentiousness that many associate with that genre that I’d rather avoid.

So despite a lot of head-scratching and cogitating, I can’t find any niche where it’d gain any sort of prominence amid the countless thousands of books released every week. It may be doomed to sink under the weight of those thousands and of my incompetence.

You may already have read the blurb, here or elsewhere, but here it is again:

At seventeen, Verity lost the future she’d craved when Nick, her enigmatic and troubled poet boyfriend, drowned at sea. At thirty-five, in a safe, humdrum and uninspired life, she finds that snatches of the life she didn’t have begin to force their way into her real life. This other life, more vivid and demanding than her actual life, begins to gather a terrible momentum as she starts to understand that her un-lived life was not the poetic dream she had imagined it might be. Doubting her own sanity as her other life comes crashing down around her in a series of disasters, Verity is forced to re-examine her past, realign her present and somehow reclaim a future where both her own early creative promise and her family can exist and flourish together. Exploring the nature of time itself, the possibilities of parallel universes and the poetic expressions of both, Verity searches to understand why and how Nick really died and what her own lives, lived and un-lived, might truly mean.

It’s a book that I think might well strike a chord or two with many women, but if you’re expecting a kick-ass heroine like Chloe or Isobel, you might get a surprise. Verity is quiet, but they say it’s the quiet ones you want to watch. She thinks things she never says, and she lives under daily bullying without apparent complaint; she puts others before herself and she lives a half life that many women might really relate to.

So what am I doing while I wait for the proof copies to wing their way across the Atlantic? Not a lot. I can’t set a date for a launch party until I’ve seen those copies are what I want them to be. I’ve had too many false starts with this book to want to risk that. What I would like, though, is for friends here and on social media, if they have read and liked my books, to consider potentially hosting a blog for me, or doing an interview (especially after they’ve read the book) asking questions about the book and its themes, over the next few months. People have said that the majority if a book’s sales come in the first weeks, and that might well be the case, but I am hoping that enough folks have been waiting impatiently for this one for some sales to be guaranteed at least. The staggered approach means that more exposure is likely to happen once the initial surge (please!) has begun to ebb.

I’m terrified, to be honest. What if no one likes it? What if no reviews happen? Away With The Fairies finally made it to the magic 50 reviews a few months back after being out for six years, but realistically speaking, I think that getting lots of reviews in the first few weeks might well carry more weight in the mysterious algorithms.

And there’s a shockingly large amount of me in this book, too, so it’s a risk, sending it out into the world, because not only are some of my own poems included in the book, but some of my own, secret, never-spoken-about, history is too. I’ve not mentioned this aspect because, well, because it is secret and private. It’s entirely fiction, yet in many important ways, it’s not at all. I’d tell you more but then I’d have to kill you… (that’s a joke, by the way)

So while I wait for that familiar brown parcel, I ought to get my thinking cap on and write some more blog posts, for here and for others who might be so gracious as to host them. I seem to have mislaid that thinking cap, so perhaps a scarf might do.

Cause for celebration or commiseration?

Cause for celebration or commiseration?

(This is going to be one of those posts that might get on the nerves of the optimists among you, so perhaps bear with me rather than tutting. I could do with a bit of compassion and understanding right now.)

On Monday I completed a book I began more than four years ago. Coming in at a fairly slender 73k words, it’s provisionally entitled Belle Dame, and it’s the first full length work I’ve managed to finish in a whisker over six years. Someone said the other day that it’s the dream of many people to actually write a book and that finishing one is a cause for celebration, but I’m ambivalent about it these days.

But finishing this book is a bigger deal than that. Around six years ago, a variety of connected events pretty much ended me as a writer. They almost ended me as a person, and while I’m not going to go into details, they’ve left scars. Compounded with the insidious effects of Dexter my parathyroid tumour (now removed) and the effects of joint hypermobility syndrome (which is much more than being a bit bendy), I lost the flow and the joy of writing books. Belle Dame was a project that tied into my exploration of finding some healing for the original events and the knock-on effects, as well as more prosaically being able to say, “Yes, I am still a writer. I’m working on X book.” I’m actually working on about five other books too, but none anywhere close to completion.

Belle Dame was also a way of trying to find a kind of closure denied me in real life, and that function of the book meant that I could not think how to end the story that honoured my beliefs and philosophies, as well as being a satisfying ending to the tale itself. It was, to put it bluntly, a real conundrum. I set myself a final deadline of Monday, saying to myself if I did it, I would use birthday money to buy a special treat I’d been coveting for over a year. When I did type THE END on Monday afternoon, I felt flat. I’d seen over the last few years other writers on social media waxing lyrical about what a terrific feeling it is to type those epic words, and how fabulous it it. Yet I felt nothing more than a sense of relief, and a sense also of mild dread. No one has read it yet (except me of course and I don’t count) and I’m not sure I want anyone to. I can’t face even the well-chosen critiques of people who love me and love my writing. I certainly can’t face the idea of publishing it. To put it out there for anyone to read and rip apart, horrifies me. Equally, I’m not sure I can face the more likely reality of publishing it and having an echoing, deafening silence because no one buys it and no one reads it, because no one really cares (out there in the big bad world of books) how long a book took an author to write or what it cost them in terms of emotional angst and agony. The bottom line at present seems to be this: if it’s free, people might grab it but not read it, if it costs a few quid, a few might take a punt on it, and if it’s priced the same as a posh coffee, your friends might buy it to support you. There are too many books out there these days to have much of a chance of gaining attention if you don’t write in the really popular genres and if you’re not also an entrepreneur.

A friend made the suggestion that perhaps I should return to seeking traditional publishing deals, because getting attention and sales for my kind of books now is perhaps beyond the remit of self-publishing and my skills therein. That too I cannot face. I’ve been through that mill twice, with all the pain that entails. I’m also pretty anti publisher. I am, to quote the friend, between a rock and a hard place.

Little Gidding Girl is also stuck. I’ve decided that the only way of avoiding a whole world of trouble with permissions and copyright issues without basically supping with the devil, is to rewrite the last fifty pages so that they work without the quotes I’d originally used (believing at the time that a publisher would deal with that side of things for me. How naïve I was.) This will take more courage and energy I have right now. I suspect I’ll wake up one morning and think, today’s the day and just do it, but at the moment I cannot get my brain around it. Again, the feeling of dread persists. I don’t want to publish the book and after half a dozen kind friends buy a copy, for it to sink into the swamp of forgotten books. It boils down to this: people read for very different reasons from the ones I write for (if that makes sense). I’ve never written solely to entertain and while my books are entertaining, there’s more than that to them.

I bought my treat with some glee, but I don’t feel I have achieved any sort of inner celebration for this book and that’s dreadfully sad. This may be connected to the very persistent low mood aka depression I’ve begun to realise is probably my lot for life now; the inability to feel anything is a classic symptom of depression.

But all that not withstanding, I did it. I finished the book and next time you have a nice glass of wine, whiskey or whatever your tipple is, tip that glass to me and wink, and silently whisper, “Congratulations!” and maybe I’ll feel it too.

Z is for Zen

Z is for Zen

A quick scan of the internet shows that the definition of the word Zen is a troublesome one. The most basic, factual one is this: a Japanese school of Mahayana Buddhism emphasizing the value of meditation and intuition rather than ritual worship or study of scriptures.

Urban dictionary comes up with a nice one: One way to think of zen is this: a total state of focus that incorporates a total togetherness of body and mind. Zen is a way of being. It also is a state of mind. Zen involves dropping illusion and seeing things without distortion created by your own thoughts.

Sun is warm, grass is green.” http://www.urbandictionary.com/define.php?term=zen

The Cambridge dictionary’ s version is pretty poor: relaxed and not worrying about things that you cannot change:

Don’t worry about doing the right thing with your baby – be more zen about it and you’ll be happier.

I tend towards the Urban dictionary version and it’s pretty much what I felt when I began this blog. Walking a tightrope is a powerful metaphor for the way my life is; ages back, someone suggested just letting myself fall. It scared me; it still scares me. My collection of essays from this blog, Depression and the Art of Tightrope Walking, is my account of my discoveries and explorations of a life dominated by depression; my recent collection of poems A Box of Darkness is intended as a treasury of what I have found in that darkness.

I thought of the blog title several years before I began blogging; it sprang to mind instantly. There have been a number of blogs using Zen in the title; many are using it in a very different way. Some reflect the philosophy of Zen and the Art of Archey, some Zen and the Art of Motorcycle Maintenance (reviewed here). But I am proud of my blog. This, by remarkable coincidence, is my 1000th post here. Z is indeed for Zen, and it’s also the end of this A-Z not-a-challenge. I hope you have enjoyed my meanderings and excursions.

<departs left, pursued by a bear>

V is for Vivienne

V is for Vivienne

We’re a rare breed these days, us Viviennes (or Vivian, Vyvian, Vivien etc). The name, never hugely popular, has become unusual. If I come across another person (I say person because the name is unisex, with variations on spelling) with the name, I find we tend to greet each other with some glee. A couple of years ago, the attendant at the top of the Tour Montparnasse in Paris was another Vivienne; we spotted each other’s name badges and grinned spontaneously. Once I’d got the group inside, we stopped to chat, bewailing the decline of a great name. Mine is the French spelling but the origin of the name is probably Latin, from the adjective vivus, meaning alive.

Famous Viviennes include the Lady of the Lake in Arthurian legends, though there are many versions of her name. I rather like the idea of my name being that of such an entity. Other Viviennes include actress Vivien Leigh, designer Vivienne Westwood, and cricketer Viv Richards. Fictional ones include Vyvian from comedy series The Young Ones and Viven Ward in the film Pretty Woman. Here’s a link to Wiki’s page https://en.wikipedia.org/wiki/Vivian_(personal_name) on Viv-type names. Alas I am not on it. Yet.

There are several saints with the name, from an early Christian bishop (male) to two female saints in 3rd and 4th centuries https://en.wikipedia.org/wiki/Saint_Bibiana The fourth century saint (you may be wondering about the Bibiana rather than Viviana, but Bs and Vs shift over time and are often interchangeable) is listed as a patron saint of such various things as: epileptics, hangovers, headaches, insanity, mental illness, mentally ill people, single laywomen, torture victims. I find this…comforting, though her death was hideous and her life (according to various hagiographies) difficult and painful. There’s a certain symmetry to sharing my name with such a lady.

U is for Utopia

U is for Utopia

I’m coming rapidly to the end of this run-through the alphabet and some of the last letters are somewhat problematic. I considered Useless (that’s how I feel a lot of the time) and also Unknowing (the older I get, the more I know I don’t know) but settled on Utopia, because there’s so much Dystopia-stuff around.

The person who coined the term (it actually means No Place) was Sir Thomas More in his fictional piece of the same name. Curiously enough, he was inspired by Plato’s writings on Atlantis. I’d urge you to read more about both works, because More’s ideas of Utopian society included such things as slavery, severe punishments for pre-marital sex, and communal living. The book addressed issues of its day and the blue-print for a utopian society he depicts is anathema to what I consider a perfect world.

We use the word Utopia to mean a perfect society but when it comes down to it, the origin of the name tells us everything. It is No Place. It cannot be. To be the ideal living conditions for one segment of society, it does so at the expense of others. For many, our current society is Utopia as it stands; this is why, in the run up to a General Election in the UK, those at the top of the ladder will fight tooth and bloody nail to keep things as they are, because that suits them very well indeed, thank you very much. To create a society where every member is valued and has a basic and decent standard of living is impossible in a culture that is essentially venial and selfish, where the rich wish to get richer and richer at the expense of the poor, where luxuries beyond imagining become common-place for the lucky few, and people starve and freeze on the streets.

https://en.wikipedia.org/wiki/Utopia

https://en.wikipedia.org/wiki/Atlantis