Normally I tend to write a post, then copy it and paste it here. For once, I am writing directly into the blog. Continue reading
A Living Nightmare of a Decade?
There’s been a thing going round. One of those things. Posting a picture from ten years ago and one from this year, to illustrate the changes in a decade. Another thing has been to list your achievements in the last decade. Both have made me shudder. I couldn’t find a picture of me from 2009 that I wanted to share and when I have compared to now, it’s clear the decade has aged me. But ten years ages everyone, so no surprises there.
“We left the camp singing” – the interrupted life of Etty Hillesum
These words, written on a postcard thrown from a cattle transport on its way out of Holland to Poland and its ultimate destination, Auschwitz, were some of the very last words written by Dr Etty (Esther) Hillesum. The postcard had been found on the 7th of September 1943 and posted by the farmers who found it a few days later. Dr Hillesum died on the 30th of November 1943. She was 29 years of age. Between 1941 and 1943, she kept a diary of her life in Nazi-occupied Amsterdam, detailing the privations, the fears, the joys, the hopes and her extraordinary inner life.
I’ve been reading it in chunks, often during those frequent occasions when insomnia and pain and worry have driven me from my bed to read downstairs on the sofa. It’s been a true companion to me. Her voice, silenced for many, many years, rings out, true and clear and full of life. Her love of life, her resilience have been an inspiration and not a reproach to me in my own troubles (and believe me, virtually every self-help book I have come across, every nugget of a meme from some guru or other, has left me with nothing but guilt and self-reproach for my own lack of strength and guts) and I finally read the last section of the book today. It’s a collection of the letters she wrote from Westerbork, the camp Dutch Jews were held at before being loaded onto cattle trucks and sent off to Auschwitz. The voice in these letters differs only very little from that of the diaries; her integrity and pure honesty shine out, unmistakably amid the events of those terrible days. Humour, love, gentleness and a lack of bitterness that is almost shocking.
I’d put off reading this book, because the core of the book is something I cannot look at square in the face without feeling the abyss opening. Yet the abyss IS indeed opening. Concentration camps exist again in the so-called civilised world, and the fact that many dispute the use of the word is proof that they have become inured to the concept. But the book brought me some comfort that a voice of sense, reason, justice and love can still ring out across the years since its owner died. It reminded me that we have lessons from the past that can and should be learned from.
An Epiphany, of sorts
Today marks Epiphany, the festival that for most marks the end of all things Christmas. It commemorates the arrival of the Magi, coming to pay their respects to the infant Jesus, though much of what people think they know about the Magi is a much later medieval addition. The bible does not give names to the visitors, nor does it state that there were three. That aside, it’s a charming addition; it personalises these shadowy visitors and gives them flesh and human attributes, as well as the gifts they brought, which were largely symbolic ones. I am sure that the holy family valued the gold; it probably got them through lean and difficult times. Frankincense was at one time worth the same ounce for ounce as gold and myrrh not far behind. I burn both during the Christmas period and I usually burn some beautiful incense called Three Kings after I take down the Christmas decorations (though the crib scenes remain until Candlemas).
But that’s not the epiphany I am talking about. The word has come to mean a sudden, dramatic and powerful revelation. During a recent episode of extra-nasty depression (that general base line for me is just fairly nasty and the extra-specially nasty was paralysing and unbelievably destructive) I had an insight I have had to sit with to see if it may be true, and that insight is the epiphany I’d like to explain. Continue reading
The vital importance of beauty, truth and hope in books
As a card-carrying depressive, I’m not someone known for being an optimist. I’m sometimes like the love child of Marvin the Paranoid Android and Eeyore. It’s hard to not feel that the world is currently going to hell in a very large hand basket. I take breaks from the internet on a regular basis, hoping that the world beyond my small bubble will have improved by the time I go back; I retreat into the world of books and seek what solace I can find there.
I’ve recently finished reading a biography of Elizabeth Goudge. Beyond the Snow by Christine Rawlins is an exhaustive, and inspiring account of the life and faith of this most beloved of authors, and I didn’t want it to end. She had an interesting and sometimes very difficult life, though cushioned somewhat by her privileges of birth. Though she does not write much about it, it is known that she experienced severe mental distress and even breakdowns; this is reflected very much in certain books (such as The Scent of Water that I have blogged about here) and echoes in many others. There is compassion and bravery in her decision to write happy books.
Critics sometimes dismissed her books as “pretty pretty” and as light romances (they’re not) but the public bought them in their millions. She does not shy away from the difficult things, like death or loss of faith or suffering, but she offers a vision of hope, of redemption and of atonement too. The books are full of havens: places where people go to be healed, to rest and recover their strength and to go out again to continue their work in the world. There is faith, but it is built into the woodwork and rarely centre stage. There is kindness and care and hope, even in dark times. People make tough decisions, ones that reflect a code of ethics that is now rare.
In these dark times, I know that I am avoiding fiction that seems to revel in darkness and hatred. I’m trying to find books that are trying to be beacons in the dark, to be rallying calls to resist the lure of what Hopkins calls Carrion Comfort. I’ve read a few recently. I reread Sir Terry Pratchett’s Night Watch, my favourite of his Discworld novels; though it looks evil squarely in the face, it fights back. I have recently read a couple of novels by Jane Davis too. My Counterfeit Self https://www.amazon.co.uk/My-Counterfeit-Self-Jane-Davis-ebook/dp/B01KTY22R0/ is an excellent and immersive tale of a woman who stayed true to her own beliefs and who fought for justice and social changes. The fact that the main character is a poet just adds to the charm for me. Smash All The Windows https://www.amazon.co.uk/Smash-all-Windows-Jane-Davis-ebook/dp/B079MBP3WD/ is a powerful (and sometimes very disturbing) account of a major disaster on the London Underground; the survivors and the families of those lost face huge difficulties in getting at the truth of what happened, and even greater challenges of transforming the grief into something that shines beyond all the pain and sorrow and loss.
In non-fiction, I recently read another book by Robert McFarlane, The Old Ways. It’s about walking and about the power of paths. I’d highly recommend it if you are someone who loved walking but whose health does not allow longer distances or more difficult conditions. There is great beauty and evocation of all the senses in McFarlane’s writing, taking you out of yourself and into another world of experience.
All of these books offer beauty and hope and truth without ever scuttling into whimsy and unrealistic withdrawal from the world. They’re books that strengthen your soul; they put shining steel into your limbs and the gold of optimism into your soul.
As for my own writing… Well, I’ve been limping along with several projects and having read Beyond the Snow, I have become convinced that to keep going as a writer, I must commit myself to writing books that are filled with beauty, truth and hope, however unfashionable, however bourgeois and some might say, naff, such a concept might be. My existing novels, all available from Amazon, are already books that I believe offer a haven and a support to battered souls. Despite the fact that it feels like the world has become so focused on capitalism that unless you pay for advertising, I do believe that people will find my books even if Amazon is steadily erasing all the opportunities that once existed for unknown independent authors to become known. I’m not sure how, though. I have less than three thousand followers on my Twitter, less than five hundred likes on my official Facebook page and around five hundred subscribers to this blog.
But that, perhaps, is not my business. My business is to find that beauty, hope and truth and let the stories weave themselves. That’s all I can do right now.
Tales of the Well-Spring 6 – returning to Source
“Time like an ever-rolling stream bears all its sons away” says the old hymn.
And its daughters too, though we still seem to be seldom mentioned, despite being, on average, a good fifty per cent of the world’s human population.
Whatever your gender, time is an inescapable force, and no matter how you resist, it passes, slipping through your fingers like water, and you find yourself saying things like, “I can’t believe it’s so many years since…”
More than a quarter of a century had passed since I went to Taizé
A lifetime ago, really, yet the memories were unfading, holding my heart in ways that you’d not imagine a single week could. I found the photos shortly before we set off; was I ever that young, really? I’d gone in a highly stressful time in my life; we were about to set off for a new life (I’d have called it an adventure back then but the reality proved to be quite crippling for me, in so many ways) and we’d left keys to our house with the estate agents, hoping they’d sell it before we got back. I’ve written about that visit here. If you’ve read that post, then you’ll know what stayed with me most was the chapel of the well-spring: a little wooden structure built over an actual spring that was directed into a shallow stone trough. You could feel something even before you saw the water or stepped beneath the shingled roof of the shrine; a presence, a sense of the numinous, something otherworldly and deep. Continue reading
The insidious perversion
You know how sometimes a sentence or a few words or an event can set of a train of thought that goes into some sort of underground tunnel, rumbling away unseen until it pops up into the light with revelations?
This week there’s been three ingredients that have set in motion a sort of Salmagundi of thought. The first was a tweet from an old friend:
“The objectification of self. Everyone is a brand. The biggest and most complete and insidious perversion of capitalism” from Monica https://twitter.com/EquanimityNow_
I read it and got the shivers.
The second (catalytic) event was the revelation that a romance writer has trademarked a common word and has been sending out cease and desist notices to any author using that word in book titles. I’m not going into this in detail because it’s been written about a lot since it came up, but because it focuses on a very heavy-handed protection of the concept of “BRAND” it also chimed very much.
I have written before about my objection to the notion of author-branding, being told on occasions that I wasn’t understanding it and that in essence it was simple: I am my brand. My books epitomise the brand, and each book is recognisable as mine. I have always felt deeply uncomfortable with this notion, not because there isn’t a strong element of truth to it (see Hopkins’ poem As kingfishers catch fire: “What I do is me: for that I came”) but because it aims to both petrify a moment or a period in my soul’s journey and also to set a price on it.
There was a third ingredient but it was a quote from James Hillman and while I can recall it was about mining the soul for various processes, including raising our consciousness and of the problems of capitalism, I cannot find the quote to save my life. The nearest I can find to it is this:“What we hold close in our imaginal world are not just images and ideas but living bits of soul; when they are spoken, a bit of soul is carried with them. When we tell our tales, we give away our souls. The shame we feel is less about the content of the fantasy than it is that there is fantasy at all, because the revelation of imagination is the revelation of the uncontrollable, spontaneous spirit, an immortal, divine part of the soul, the Memoria Dei. Thus, the shame we feel refers to a sacrilege: the revelation of fantasies expose the divine, which implies that our fantasies are alien because they are not ours” James Hillman (The Myth of Analysis, p. 182). https://aras.org/sites/default/files/docs/00051Wojtkowski.pdf
“When we tell our tales, we give away our souls.” Or in the case of authors, we sell them. I’ve struggled with not being able to write, with having lost the connection to the stories I knew (and still know) were inside me. I have felt hollowed out, empty and bereft. In some of my journeying I have followed many trails, from daydreams and night dreams, stories and songs and poems, and found scraps of clues. Here is one:
“For a nun.
Like your Hopi pottery bowl,
hollowed out, open, beautiful,
you’re being hollowed out by God
not to be filled but to embrace
the sculpted space itself, empty,
yet filled with what you almost see;
intimate poverty’s body.”
Murray Bodo OFM, from the book “Song of the Sparrow- new poems and meditations.”
Am I empty? Or am I simply open, filled with things not seen (and therefore perhaps not valued). I have told many stories. I have others still inside me but I cannot bring them to birth like I once did, naturally but not without great pain and cost to myself. I have become acutely sensitive to the great and terrible turmoil of the world around me, insulated though I am by privilege and accidents of birth. I am caught in a paradox: a need for action and an equal need for withdrawal for self-protection. A need to write my stories (and share them) and a repulsion for the mining of my own soul with those stories. One might say, write them and burn them (as I know one friend, fellow poet Deborah Gregory, has done http://theliberatedsheep.com/food-soul-animus-diet/ ) or write them and keep them hidden. Yet just as one would not bear a child and keep it hidden for its whole existence, I cannot write and keep it all locked away in darkness. Yet to publish becomes a connection to the worst of capitalism, the worst of a pervasive, perverted system wherein a writer can lay claim to a common word, seize it and trademark it AND GET AWAY WITH IT (it’s being fought and perhaps will be overturned)
In my scouring of the internet for those words that were the third ingredient, I found the following, part of the essay I shared a bit of further back in this post. It brings me some comfort, but not answers (as you will read). Perhaps I have not become completely lost.
“Kenosis seems now the only political way to be—emptied out of certainty…Kenosis is a form of action—not masochistic action, vicitimized, crucified…[but] empty protest: I don’t know how to do the right thing. I don’t even know what’s right. I have no answer. But I sure smell something wrong with the government…‘empty protest’ is a via negativa, a non-positivist way of entering political arena. You take your outrage seriously, but you don’t force yourself to have answers. Trust your nose. You know what stinks. Don’t try to replace the hopeless frustration you feel, the powerless vicitimization, by working out a rational answer. The answers will come, if they come, when they come, to you, to others, but do not fill in the emptiness of the protest with positive suggestions before their time. First, protest!…[An empty protest] doesn’t have an end goal…Empty protest is protest for the sake of the emotions that fuel it and is rooted not in the conscious fullness of improvement, but in the radical negativity…Not only will you be seen as stupid because empty, but you will be also alone,…So empty protest for me is really a kenosis–giving up both the vanity of being admired and the surety of a sound position, and doing it in public” James Hillman (ibid., pp. 103-107).
Post scriptum: this article is very much worth reading. It’s Hillman’s exploration of How the Soul is Sold.
The reality of a loss of faith
There has much been written over the millennia on a phenomena known as loss of faith and I’m going to add to those many millions of words with a few of my own; those readers who are atheists might well be rubbing their hands with anticipation of a new recruit, but I think they may be disappointed in what I write now.
The first issue is about what one has faith IN. A Christian might say they have faith IN Jesus, for example; take Jesus out of that equation and what might you have left? Probably quite a lot: a divine architect, perhaps, and maybe also a general feeling of faith in the overall goodness of humanity and of creation, and a sense of one’s own rightful place it in. I have heard on many occasions people who are self-proclaimed atheists speaking of a belief in the Universe, that it has some sort of plan for that person right down to finding parking spaces at critical moments. There is essentially a great deal of unspoken baggage that goes with a faith of any kind, whether it is one of the three Abrahamic religions, or a faith that is born of reading books like The Secret that gives rise to a system of so-called laws. The baggage infiltrates every aspect of a person’s life, influences all their choices and decisions, and activities. For example, a belief that each person has a destiny in life will influence (often unconsciously) everything from profession to life partner to hobbies and ethics.
If the central core of faith disappears, everything else is suddenly on shaky ground. It’s like the whole framework of life has woodworm and is liable to collapse. It’s like you have pulled a loose thread in a tapestry and discovered too late that it was the warp and ran through the entire piece https://en.wikipedia.org/wiki/Warp_and_weft .
I have always believed that faith is a gift, not something obtained by effort or determination. You cannot get faith by trying. I have had friends who wanted more than anything to have a faith, seeing the comfort that it gave to their partner or parent. They were good people who lived the tenets of faith that underpin many of our cultures, while being unable (but not unwilling) to grasp that elusive will o’ the wisp that is faith.
I have never believed that those who have faith have less intelligence than those who do not, as many metrics attempt to prove. However, certain faith groups often consist of people who have had less education and perhaps have little critical ability and inclination to discern subtleties because of that and this is often what shows. Atheists are not inherently morally or ethically superior because they choose to lead decent lives without a fear of punishment from a god if they don’t.
But if you lose your faith, what then? For me, it has created a cascade of events. It’s meant a loss of faith in myself, in my own right to exist, in the belief that I have gifts and abilities that were meant to be used for something special, whether right now or later in my life. I’m not sure I am even expressing this devastating series of unravelings well enough for someone else to understand what it feels like. The closest is best expressed by a story from when we were at college (he was learning to be a vicar). A friend with children the same age as my daughter was going through some very difficult stuff because she’d discovered in her late thirties that she was adopted; every single thing she believed about herself had become undone. She said to me, “It’s like waking up and finding that both your arms had been ripped off years ago and you never realised until that moment. Everything is destroyed and I don’t know that I have the strength to rebuild.”
Almost everything I own has a deeper meaning attached to it, whether it is a statue of Our Lady, a crystal point, a plaque of the Green Man, or even my choice of duvet cover (it’s got beautiful flowers on it, with their Latin names on). Every book I cherish points to the numinous and the divine. Every piece of jewellery contains some symbolism. I am told my home has an atmosphere of sanctuary and of peace. I garden for wild-life, because I have always believed that each and every plant, animal and rock has a right to live peacefully and that human beings have wrecked the earth and mined it for their own greed, and that if a tiny patch of earth can be kept safe for the non-human denizens, then I can do that much at least. But even there, I feel the futility of it, for I have no sense of better times to come, or that I am somehow maintaining a small ark for those better times. Even the mundane aspects of living a decent life feel futile: what has been the point of all my efforts to reduce, reuse and recycle when the oceans are choked by plastic debris?
Faith in the end is more than a belief in a deity or deities, so much more that I cannot begin to express. The world has become a much darker place in recent years; the hope that the darkness will lift has gone from me, though I cannot stop doing what I have always done to hold back the outer darkness. Yet the inner darkness is engulfing me; I feel like one of those poor seabirds in an oil spill, and while the oil coating my feathers might be washed off, in trying to clean my own feathers I have ingested so much of the poison I am dying from the inside out.
The Bad, the Good, and the Indifferent: 2017 in review
The sands of time are trickling to the bottom bulb of the egg-timer of 2017. I’m not sure if it’s hard-boiled or burned-out, yet, so I am trying to do a review of the year. It’s worth remarking that this will be a rambling sort of post as I have a nasty chest infection, the kind that’s meant my ribs hurt from coughing and I’ve pulled some muscles trying to clear my lungs. I’ve also got a slight temperature, but that said, at university, one of my best ever essays was written trying to stay warm and stave off a similar illness, by drinking ginger wine. I was three sheets to the wind by the end but it earned me an A-. I can only conclude my professor was equally drunk when he marked it.
During the latter part of the year, we lost first a much-beloved guinea pig, and then, heartbreakingly, our ancient but mostly spry cat. He was eighteen and a half. I’m still so numb I cannot manage to articulate much on this; I still look for him on the Ikea chair we bought specially for him. The losses seemed to cap what has been for me quite a tough year. There have been some amazing things (family stuff that I don’t share here) but overall, the word, difficult seems to sum it all up. My day job has been affected (like most of the travel industry) by the continuing instability caused first by ongoing concerns about terrorism and second and more pervasively, by the insanity of the Leave vote. I can barely bring myself to mention this, because I rapidly become mute with anger and frustration.
In terms of writing, it’s a mixed bag. I managed to release three books this year. Two volumes of poetry and a novel. The poetry was a matter of collecting thematically poems I’ve written over a considerable period, and arranging them in an order that seemed pleasing. Hallowed Hollow has garnered 5 excellent reviews but sadly, A Box of Darkness hasn’t a single review to its name. It took a LOT of effort to get Little Gidding Girl out. I made daft mistakes with the formatting that I fought to correct, but I did eventually manage to get the book launched for midsummer. It was launched with what’s called a “puff quote”, from Caitlin Matthews, an author I had admired for (literally) decades before social media brought us into contact. Like any author, I hoped it would soar but it has not. It has, however, got 20 reviews since its launch, all but one of which were glowing. I sometimes feel that either my work is crap or it has such limited appeal that reaching the few folks who is would suit is a monumental task I no longer have the energy to attempt.
In terms of actual writing, apart from blog posts and some poetry, I completed a novel for the first time in over 4 years. This was such an achievement, I marked it by buying a perfume I’d been craving for several years. After sitting on it for a while, I sent it to a few beta readers. I’ve had little or no feedback and can only conclude one of several things: first, no one has had time or inclination to read it (which is fine, as we’re all busy) or have and have either forgotten to give feedback. Or they’ve read it and hated it, but didn’t like to knock me back by saying anything. Whichever it is, I cannot disguise my sadness. But as Locke would say, it is what it is. The novel will probably now sit on my hard drive and gather dust.
As well as the novel, I have managed to write some short stories, most of which are longhand in various notebooks. My levels of confidence in my writing is now so low that it seems better to go back to basics and write a first draft where no one but me will ever see it. I’ve done four or five in my proto-collection of fragrant fiction, short tales inspired by famous perfumes, and a few others. I did get as far as collecting and fiddling with an array of short stories that are basically modern fables for grown ups; I asked for a few volunteers from friends (largely on Facebook) to have a scan. About half of those who offered to read got back to me, and overall the collection passed muster, with some very helpful and uplifting feedback. My next task is to implement some small editorial changes before proofreading and the rest of the process of getting them published. It’s reminded me that I’m very good at the short form, even if short stories are not what people (apparently) want to read in collections from one author. Like poetry, like the literary-ish fiction I specialise in, it seems that another of my skills is in something hardly anyone wants. In a market that is totally saturated, getting noticed is now pretty much impossible unless you have a lot of money, time and energy to throw at it, as well as luck. My best plan is to continue to write what comes to me and therefore, one person is happy. The wonderful folk who read and enjoy and even review my books, may also be happy.
I often sit in awe at the people who write numerous books each year, and get them out there. I’m more than aware of the hard work and discipline involved. Bum in chair, social media disconnected, are but two of the steps needed. I’ve tried. Oh believe me I have tried, this year, to be more productive. Ideas flare, like matches in the darkness, and splutter out in the wake of “oh what’s the point?” It feels as if everything’s already been done, and done to death; I know that each author approaches an idea with their own voice. But I cannot overcome the inertia of the terrible feeling of pointlessness, when my own voice seems to die on the wind. Ill health (both mental and physical) and the invisibility, the sense of irrelevance of self, that seem to accompany middle age, have taken all the oomph out of me. I doubt that I have anything to offer the world, and increasingly, that there’s nothing the world can offer me, any more. Forgive me if this sounds depressing, but this is my reality at present.
I watch the world around me, and find that the microcosm of my back garden has brought me more joy than the wider world. I can barely watch the news any more. Yet seeing a charm of goldfinches bathing in the pond, or hearing the love songs of frogs on a spring night, or smelling the sweet fresh scent of hyacinths blooming in a forgotten corner, remind me that while wars and rumours of war go on, nature battles on, with beauty and sorrow balanced in an eternal cycle. When I go out, last thing at night, to put out food for errant hedgehogs and for the feral cat who lives at the bottom of the garden, I look up at the white stars twinkling in a frosty sky, and the vastness of the universe presses down on me, yet I can still say, “I endure. I am here, for a little while.”
I cannot make predictions for 2018. Or promises or hopes or ambitions. It will be whatever it is, whether I hope or don’t hope. But I wish that for you and for me, it may bring joy and meaning, healing and fulfilment, and understanding and forgiveness. All the rest is fluff that blows away on the winds of time like dandelion clocks when the seeds have been eaten.
“The Lantern Bearers” by Rosemary Sutcliff
Sometimes a book comes back to you, decades after you first read it, and you find there was far more to it than you grasped at the time. I first read “The Lantern Bearers” in my teens, but it didn’t grab me the way the first of the series (“The Eagle of the Ninth”) did. It’s a much subtler, more nuanced and more ambiguous book that to my mind surpasses the Young Adult category it’s been pigeon-holed in. Even the blurb does not do it justice:
The last of the Roman army have set sail and left Britain for ever, abandoning it to civil war and the threat of a Saxon invasion. Aquila deserts his regiment to return to his family, but his home and all that he loves are destroyed. Years of hardship and fighting follow and in the end there is only one thing left in Aquila’s life – his thirst for revenge . . .
The novel sounds… schlocky, and it’s not. It explores the relationship between love for native land and family, and more abstract concepts such as honour and mercy. There’s plenty of action but compared to “The Eagle” the action feels very different. In “The Eagle”, Marcus (who is Aquila’s ancestor) is invalided out of the army (he’s a very young officer, almost fatally injured in his first conflict) and later sets out on a quest to discover what became of his father’s legion, the famed Ninth Legion that vanished. Aquila’s quest is a very different one, and one that is not fully defined to him; he grasps at vengeance as a reason to stay alive and to fight his way through the truly terrible things that happen to him. Yet long before the novel is over, he grows to understand that there is more needed of him than exacting a private vendetta.
Aquila is not the attractive, charismatic figure that commands instant liking from a reader; he’s a very damaged man, and he’s not much liked by his fellows, or even by his wife or son. But I found myself warming to him much more than I did when I first read the book; he seems a more complex, more REAL figure than Marcus did.
The last few years I have felt very strongly that we are on the cusp of some very dark times ahead. During my lifetime, there has been a greater level of peace and prosperity than there’s been in the world, pretty much ever. You may know that I studied Latin at university, and also have long had an interest in the long history of the Roman Empire. I cannot help but see powerful parallels between the last days of Rome in Britain and what I see now. Reading “The Lantern Bearers,” brought this back to me quite forcibly.
I’d like to share some lines from the last few pages of the book. Aquila is talking with an old friend, the surgeon attached to Ambrosius’s army.
“I sometimes think we stand at sunset,” Eugenus said after a pause. “It may be that the night will close over us in the end but I believe that morning will come again. Morning always grows again out of the darkness, though maybe not for the people who saw the sun go down. We are the Lantern Bearers, my friend; for us to keep something burning, to carry what light we can forward into the darkness and the wind.”
Aquila was silent a moment; and then he said and odd thing. “I wonder if they will remember us at all, those people on the other side of the darkness.”
Eugenus was looking back towards the main colonnade, where a knot of young warriors, Flavian among them, had parted a little, and the light of a nearby lantern fell flush on the mouse-fair head of a tall man who stood in their midst, flushed and laughing, with a great hound against his knee.
“You and I and all our kind they will forget utterly, though they live and die in our debt,” he said. “Ambrosius they will remember a little, but he is the kind that men make songs about to sing for a thousand years.”
The “he” that Eugenus refers to is, of course, Arthur, called here Artos. The Once and Future King of so many of our legends, novels, songs and films. The darkness may sweep over us, and that scares me. I don’t want to be lost, but Eugenus’s words haunt me. History does not tend to remember the little people, even though it could not be made without the participation, and often the sacrifice of ordinary people.
This time of year, as the nights become colder and longer, and sunshine less brilliant and far less frequent, it feels as if we are going into the night and being lost. There’s a lot of psychic debris around, a kind of dark, malign stickiness, not quite sentient but almost, that lurks in the corners like supernatural cockroaches that you see from the corner of your eye but when you look straight at them, they’re gone. There’s a lot of stress and angst around, and people try to lose their unease by focusing way ahead of time on festivals such as Christmas, but that can just make things worse as midwinter feasts have become overwhelmed by materialism that just drains people of joy and finances.
I can’t do much to help. I’m fighting deep depression, and world events (mad leaders of world powers for example) and national ones, local ones and personal ones, are getting on top of me. But what I can do, I do.
And I light a candle as dusk falls, to remind me of my duty as a lantern bearer to kindle a flame and guard it as long as I may, in the hopes that on the other side of the darkness, those who live there may bless the unnamed hosts who kept hope and light alive for them.