The Insidious Perversion

The insidious perversion

You know how sometimes a sentence or a few words or an event can set of a train of thought that goes into some sort of underground tunnel, rumbling away unseen until it pops up into the light with revelations?

This week there’s been three ingredients that have set in motion a sort of Salmagundi of thought. The first was a tweet from an old friend:

The objectification of self. Everyone is a brand. The biggest and most complete and insidious perversion of capitalism” from Monica https://twitter.com/EquanimityNow_

I read it and got the shivers.

The second (catalytic) event was the revelation that a romance writer has trademarked a common word and has been sending out cease and desist notices to any author using that word in book titles. I’m not going into this in detail because it’s been written about a lot since it came up, but because it focuses on a very heavy-handed protection of the concept of “BRAND” it also chimed very much.

I have written before about my objection to the notion of author-branding, being told on occasions that I wasn’t understanding it and that in essence it was simple: I am my brand. My books epitomise the brand, and each book is recognisable as mine. I have always felt deeply uncomfortable with this notion, not because there isn’t a strong element of truth to it (see Hopkins’ poem As kingfishers catch fire: “What I do is me: for that I came”) but because it aims to both petrify a moment or a period in my soul’s journey and also to set a price on it.

There was a third ingredient but it was a quote from James Hillman and while I can recall it was about mining the soul for various processes, including raising our consciousness and of the problems of capitalism, I cannot find the quote to save my life. The nearest I can find to it is this:“What we hold close in our imaginal world are not just images and ideas but living bits of soul; when they are spoken, a bit of soul is carried with them. When we tell our tales, we give away our souls. The shame we feel is less about the content of the fantasy than it is that there is fantasy at all, because the revelation of imagination is the revelation of the uncontrollable, spontaneous spirit, an immortal, divine part of the soul, the Memoria Dei. Thus, the shame we feel refers to a sacrilege: the revelation of fantasies expose the divine, which implies that our fantasies are alien because they are not ours” James Hillman (The Myth of Analysis, p. 182). https://aras.org/sites/default/files/docs/00051Wojtkowski.pdf 

When we tell our tales, we give away our souls.” Or in the case of authors, we sell them. I’ve struggled with not being able to write, with having lost the connection to the stories I knew (and still know) were inside me. I have felt hollowed out, empty and bereft. In some of my journeying I have followed many trails, from daydreams and night dreams, stories and songs and poems, and found scraps of clues. Here is one:

“For a nun.

Like your Hopi pottery bowl,
hollowed out, open, beautiful,
you’re being hollowed out by God
not to be filled but to embrace
the sculpted space itself, empty,
yet filled with what you almost see;
intimate poverty’s body.”

Murray Bodo OFM, from the book “Song of the Sparrow- new poems and meditations.”

 

Am I empty? Or am I simply open, filled with things not seen (and therefore perhaps not valued). I have told many stories. I have others still inside me but I cannot bring them to birth like I once did, naturally but not without great pain and cost to myself. I have become acutely sensitive to the great and terrible turmoil of the world around me, insulated though I am by privilege and accidents of birth. I am caught in a paradox: a need for action and an equal need for withdrawal for self-protection. A need to write my stories (and share them) and a repulsion for the mining of my own soul with those stories. One might say, write them and burn them (as I know one friend, fellow poet Deborah Gregory, has done http://theliberatedsheep.com/food-soul-animus-diet/ ) or write them and keep them hidden. Yet just as one would not bear a child and keep it hidden for its whole existence, I cannot write and keep it all locked away in darkness. Yet to publish becomes a connection to the worst of capitalism, the worst of a pervasive, perverted system wherein a writer can lay claim to a common word, seize it and trademark it AND GET AWAY WITH IT (it’s being fought and perhaps will be overturned)

 

In my scouring of the internet for those words that were the third ingredient, I found the following, part of the essay I shared a bit of further back in this post. It brings me some comfort, but not answers (as you will read). Perhaps I have not become completely lost.

Kenosis seems now the only political way to be—emptied out of certainty…Kenosis is a form of action—not masochistic action, vicitimized, crucified…[but] empty protest: I don’t know how to do the right thing. I don’t even know what’s right. I have no answer. But I sure smell something wrong with the government…‘empty protest’ is a via negativa, a non-positivist way of entering political arena. You take your outrage seriously, but you don’t force yourself to have answers. Trust your nose. You know what stinks. Don’t try to replace the hopeless frustration you feel, the powerless vicitimization, by working out a rational answer. The answers will come, if they come, when they come, to you, to others, but do not fill in the emptiness of the protest with positive suggestions before their time. First, protest!…[An empty protest] doesn’t have an end goal…Empty protest is protest for the sake of the emotions that fuel it and is rooted not in the conscious fullness of improvement, but in the radical negativity…Not only will you be seen as stupid because empty, but you will be also alone,…So empty protest for me is really a kenosis–giving up both the vanity of being admired and the surety of a sound position, and doing it in public” James Hillman (ibid., pp. 103-107).

https://aras.org/sites/default/files/docs/00051Wojtkowski.pdf

Post scriptum: this article is very much worth reading. It’s Hillman’s exploration of How the Soul is Sold.

https://www.nytimes.com/1995/04/23/magazine/how-the-soul-is-sold.html

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The reality of a loss of faith

The reality of a loss of faith

There has much been written over the millennia on a phenomena known as loss of faith and I’m going to add to those many millions of words with a few of my own; those readers who are atheists might well be rubbing their hands with anticipation of a new recruit, but I think they may be disappointed in what I write now.

The first issue is about what one has faith IN. A Christian might say they have faith IN Jesus, for example; take Jesus out of that equation and what might you have left? Probably quite a lot: a divine architect, perhaps, and maybe also a general feeling of faith in the overall goodness of humanity and of creation, and a sense of one’s own rightful place it in. I have heard on many occasions people who are self-proclaimed atheists speaking of a belief in the Universe, that it has some sort of plan for that person right down to finding parking spaces at critical moments. There is essentially a great deal of unspoken baggage that goes with a faith of any kind, whether it is one of the three Abrahamic religions, or a faith that is born of reading books like The Secret that gives rise to a system of so-called laws. The baggage infiltrates every aspect of a person’s life, influences all their choices and decisions, and activities. For example, a belief that each person has a destiny in life will influence (often unconsciously) everything from profession to life partner to hobbies and ethics.

If the central core of faith disappears, everything else is suddenly on shaky ground. It’s like the whole framework of life has woodworm and is liable to collapse. It’s like you have pulled a loose thread in a tapestry and discovered too late that it was the warp and ran through the entire piece https://en.wikipedia.org/wiki/Warp_and_weft .

I have always believed that faith is a gift, not something obtained by effort or determination. You cannot get faith by trying. I have had friends who wanted more than anything to have a faith, seeing the comfort that it gave to their partner or parent. They were good people who lived the tenets of faith that underpin many of our cultures, while being unable (but not unwilling) to grasp that elusive will o’ the wisp that is faith.

I have never believed that those who have faith have less intelligence than those who do not, as many metrics attempt to prove. However, certain faith groups often consist of people who have had less education and perhaps have little critical ability and inclination to discern subtleties because of that and this is often what shows. Atheists are not inherently morally or ethically superior because they choose to lead decent lives without a fear of punishment from a god if they don’t.

But if you lose your faith, what then? For me, it has created a cascade of events. It’s meant a loss of faith in myself, in my own right to exist, in the belief that I have gifts and abilities that were meant to be used for something special, whether right now or later in my life. I’m not sure I am even expressing this devastating series of unravelings well enough for someone else to understand what it feels like. The closest is best expressed by a story from when we were at college (he was learning to be a vicar). A friend with children the same age as my daughter was going through some very difficult stuff because she’d discovered in her late thirties that she was adopted; every single thing she believed about herself had become undone. She said to me, “It’s like waking up and finding that both your arms had been ripped off years ago and you never realised until that moment. Everything is destroyed and I don’t know that I have the strength to rebuild.”

Almost everything I own has a deeper meaning attached to it, whether it is a statue of Our Lady, a crystal point, a plaque of the Green Man, or even my choice of duvet cover (it’s got beautiful flowers on it, with their Latin names on). Every book I cherish points to the numinous and the divine. Every piece of jewellery contains some symbolism. I am told my home has an atmosphere of sanctuary and of peace. I garden for wild-life, because I have always believed that each and every plant, animal and rock has a right to live peacefully and that human beings have wrecked the earth and mined it for their own greed, and that if a tiny patch of earth can be kept safe for the non-human denizens, then I can do that much at least. But even there, I feel the futility of it, for I have no sense of better times to come, or that I am somehow maintaining a small ark for those better times. Even the mundane aspects of living a decent life feel futile: what has been the point of all my efforts to reduce, reuse and recycle when the oceans are choked by plastic debris?

Faith in the end is more than a belief in a deity or deities, so much more that I cannot begin to express. The world has become a much darker place in recent years; the hope that the darkness will lift has gone from me, though I cannot stop doing what I have always done to hold back the outer darkness. Yet the inner darkness is engulfing me; I feel like one of those poor seabirds in an oil spill, and while the oil coating my feathers might be washed off, in trying to clean my own feathers I have ingested so much of the poison I am dying from the inside out.

How To Eat An Elephant, writer-style

How to Eat an Elephant, writer-style

You probably all know the answer to this riddle, don’t you?

How do you eat an elephant? One bite at a time.

It sounds silly, really. If you are a member of the !San people https://en.wikipedia.org/wiki/San_people, the method for eating an elephant (generally one slain by others) was to get every family you know together and commence an eating marathon (see the film, The Gods Must be Crazy 2 for this: https://en.wikipedia.org/wiki/The_Gods_Must_Be_Crazy_II but as I am sure you realise, I’m not talking about a real, literal elephant.

So many things in life feel overwhelming and unachievable, and the classic way to face them is to break the task down into a series of smaller, more achievable stages (bites!), and it’s a good way, as long as you can just keep “eating” away. When I began learning Tai Chi, a little over three years ago, I got very, very frustrated because we’d spend what felt like over half the lesson on warm-up exercises and on Qi Gong exercises (largely Eight Pieces of Brocade), and very little on learning the form, which was what I (and other members) had come to learn. It took more than a year of weekly lessons before I began to cotton on that I was learning Tai Chi; I hadn’t really understood that the form was only one small part of Tai Chi. I’d focused on what I saw as the cool bit, the graceful, disciplined sequence of moves that everyone thinks is Tai Chi; I’d not understood that all the exercises we’d done were to improve our chi, aid our balance and strength and to build us up so we could incorporate it all in the form. (After two years, we lost our regular instructor and have been without a regular teacher ever since; but we’d learned enough to persist, helping each other, and getting the benefit of this martial art. We have a new instructor coming later this year.) Each stage built on the ones previous and slowly, very slowly, I learned and am still learning.

In the list of overwhelming things for me, housework and gardening are close to the top. I have limited energy and I’ve been learning the hard way how to pace myself: do a task but stop before I start to feel tired or things begin to hurt. I used to be a great gardener and it did me good, mentally, physically and spiritually, but my hands and my back (oh, who am I kidding?) EVERY bit of me hurts when I do much in the garden. So I decided that I would aim to do no more than ten minutes at a time; that way, if done every day, that ten minutes adds up over a week to more than an hour. But it’s frustrating; I have to leave tasks unfinished, messy and I don’t like that. If I just finish this bit… usually results in a lot of pain and reluctance to tackle anything again. So I’m setting myself a limit. I’ve recently begun to explore how using the concepts from bullet journaling can help me, rather than make a rod for my own back.

Bullet journaling has become a big thing, with blogs, articles, videos on You Tube, Instagram and so on leaping on the bandwagon. I read a couple of dozen articles and got cross; none of them, despite saying they were going to make it easy, made it easy. There was a lot using bright markers and stickers and so on, and happy little designs that made me cross because I’m not 12 any more and I was never one of the hangers-on for the girls with the nice handwriting*. I don’t have time to plan things out like that and I certainly don’t want to ruin a journal by getting it all wrong **. So I didn’t buy a dedicated bullet journal but a Rhodia Dot Pad with perforated pages so I could work out how I wanted to use it without making a pig’s ear of it. More on that perhaps another time.

* You know the ones; they had lovely neat handwriting that always got gold stars at primary school.

** This is one of the most gutting experiences a stationery lover can have when it comes to journals. I had it happen last year when I bought a lovely Leuchturrm journal to work through the exercises that came with a book on the Enneagram. After a few days I realised I could find nothing of value in the book, tore out the few pages I’d written in the journal, and felt horrible.

But writing is not like eating either a literal or metaphorical elephant. That’s the problem. There’s lots of advice that goes along the lines of WRITE EVERY DAY WITHOUT FAIL OR CTHULU WILL DEVOUR YOU. You are exhorted to write, even if it’s only for ten minutes each day because it will all build up. Except that’s rubbish for many of us. It’s rubbish for me. I do write every day. Every. Single. Day. I have kept a daily journal for some years; I write in it just before I go to bed, recording my impressions of the day, even if it is just about the weather, what I ate or how terrible I feel. It doesn’t amount to anything but a rather banal account of each year that is occasionally useful for checking what I cooked for guests so I don’t repeat myself.

In the past, when I had a work in progress rolling along, I’d work on it every day, almost without fail. But that was when I knew where a story was going, roughly, or sometimes precisely. I can’t do that at the moment, for all sorts of reasons. I have an uneasy feeling about even trying, because it seems as if it’s too likely to take a book in a direction it ought not go in, solely to advance the word count or the flow. It would become a book that is somehow off-kilter. I can’t explain it very well; if you write a book to a well-established template, there’s a clear path forward. But I don’t. I write the strange ideas that bubble up, and the knack is recognising where those strange pieces fit and whether they actually fit in the story I am writing or in another one as yet unstarted and perhaps at that time, even undreamed. So you can end up using an idea, an event, a character who belongs somewhere else entirely.

I’ve had to go much more slowly, because I’m not longer confident of my ability to know without too much soul-searching where a story is meant to go. If you know anything about morphic resonance, you’ll know that when a new compound crystalises, it may take any of the possible crystal formations but once it takes a particular form, it can’t take another. That’s how it feels about writing a book of the kind that’s lurking in my unconscious, my subconscious, and sometimes, quite powerfully, in my conscious mind.

https://books.google.co.uk/books?id=W14oDwAAQBAJ&pg=PT106&lpg=PT106&dq=morphic+resonance+crystals&source=bl&ots=DKLXqAkBnr&sig=FTtNhxdKdZzdVIQH8tvILyfgBtI&hl=en&sa=X&ved=0ahUKEwjVxPir_-HZAhUDJsAKHUCYCwQQ6AEISjAD#v=onepage&q=morphic%20resonance%20crystals&f=false

I don’t want to eat my elephant in the wrong order but I can’t swallow it in one go, not now. So I have to sit and let the pieces sort themselves out while I work on shorter things, things I can produce in one go, and hope that one day I’ll be able to create what’s nagging away in the background. I might tell you a bit about that another time.

On the toxic effects of secrecy and secret groups

On the toxic effects of secrecy and secret groups

Shhh…this is our little secret. Don’t tell anyone, anyone at all.”

How many cases of abuse, of both children and adults, begin with words that use that basic format?

They’re usually followed by threats, both veiled and actual. I remember being threatened with death by the kid who abused me when I was around 8.

I don’t like secrets and secrecy; it makes me quite ill to even think of these things. For clarity, I don’t mean privacy. Everyone has a right to privacy and to keep their own counsel. Once you create a secret, though, the dynamic changes. Human psychology is prone to this. We want to feel special; we want to feel we are trusted and part of something exclusive.

Years back I was added to a secret group on Facebook, for writers. At first I was flattered to be included, but it became clear that the secret nature of the group was not for a good reason but rather to fly under the radar of various strictures, and I’d been added because I might be a good little foot soldier for promoting the work of others. I left. I flounced, actually.

Nobody knows how many secret groups exist on Facebook. I’m sure a large amount of them are intended simply to protect the privacy of their members, especially if those members are vulnerable in some way, or if like many, they don’t want to chat in the open.

But some groups are intrinsically toxic. If there are consequences of leaving them, that’s toxic. It makes people feel uncomfortable at best, trapped and frightened at worst. They can and do have rules that are arbitrary and enforced without chance to appeal. And some exist for very sinister reasons; witness the British MP (who will remained unnamed) who was outed as belonging to a group that is secretly trying to bring back such horrors as the Workhouse.

Secrecy and secret groups encourage an unhealthy state where remaining safe and secure as a member becomes the priority; to speak up against abuses within the group means being expelled from the safety of the group, of being ostracised and ignored and vilified. You risk losing friends and allies and possibly even status (if you had any to begin with!) and any benefits the group may have offered. Over time, those benefits become more important than the ethics they may conflict with.

Some groups have secrecy as a condition for good reasons but it depends heavily on moderators to ensure that this secrecy does not become toxic, and it’s too common for mods to become quietly victims of a form of Stockholm Syndrome and be unable to be dispassionate or reasonable.

The other thing that bothers me is recruitment. In these times when our secret services actively (and openly) recruit at university careers fairs, how do secret FB groups find new members, for if the first rule of Fight Club is you never talk about Fight Club, how come Fight Club became so big? It’s clear that people do talk about Fight Club… but with the whisper in the ear, that begins, “Shhh, it’s a secret. Don’t tell anyone, anyone at all!”

Caterpillar soup

Caterpillar soup

Caterpillar soup

Some years ago I came across a rather curious theory, suggesting that caterpillars and butterflies (or moths) are somehow two different animals in one. You can read about the theory here:

https://www.npr.org/sections/krulwich/2012/08/01/157718428/are-butterflies-two-different-animals-in-one-the-death-and-resurrection-theory and while there’s no conclusive proof that this is so, I find it oddly an oddly compelling way of dealing with the frankly rather amazing life cycle of such creatures. One day perhaps there will be a definitive answer to this question but for the time being, it’s almost a philosophical issue. Continue reading

The Bad, the Good, and the Indifferent: 2017 in review

The Bad, the Good, and the Indifferent: 2017 in review

The sands of time are trickling to the bottom bulb of the egg-timer of 2017. I’m not sure if it’s hard-boiled or burned-out, yet, so I am trying to do a review of the year. It’s worth remarking that this will be a rambling sort of post as I have a nasty chest infection, the kind that’s meant my ribs hurt from coughing and I’ve pulled some muscles trying to clear my lungs. I’ve also got a slight temperature, but that said, at university, one of my best ever essays was written trying to stay warm and stave off a similar illness, by drinking ginger wine. I was three sheets to the wind by the end but it earned me an A-. I can only conclude my professor was equally drunk when he marked it.

During the latter part of the year, we lost first a much-beloved guinea pig, and then, heartbreakingly, our ancient but mostly spry cat. He was eighteen and a half. I’m still so numb I cannot manage to articulate much on this; I still look for him on the Ikea chair we bought specially for him. The losses seemed to cap what has been for me quite a tough year. There have been some amazing things (family stuff that I don’t share here) but overall, the word, difficult seems to sum it all up. My day job has been affected (like most of the travel industry) by the continuing instability caused first by ongoing concerns about terrorism and second and more pervasively, by the insanity of the Leave vote. I can barely bring myself to mention this, because I rapidly become mute with anger and frustration.

In terms of writing, it’s a mixed bag. I managed to release three books this year. Two volumes of poetry and a novel. The poetry was a matter of collecting thematically poems I’ve written over a considerable period, and arranging them in an order that seemed pleasing. Hallowed Hollow has garnered 5 excellent reviews but sadly, A Box of Darkness hasn’t a single review to its name. It took a LOT of effort to get Little Gidding Girl out. I made daft mistakes with the formatting that I fought to correct, but I did eventually manage to get the book launched for midsummer. It was launched with what’s called a “puff quote”, from Caitlin Matthews, an author I had admired for (literally) decades before social media brought us into contact. Like any author, I hoped it would soar but it has not. It has, however, got 20 reviews since its launch, all but one of which were glowing. I sometimes feel that either my work is crap or it has such limited appeal that reaching the few folks who is would suit is a monumental task I no longer have the energy to attempt.

In terms of actual writing, apart from blog posts and some poetry, I completed a novel for the first time in over 4 years. This was such an achievement, I marked it by buying a perfume I’d been craving for several years. After sitting on it for a while, I sent it to a few beta readers. I’ve had little or no feedback and can only conclude one of several things: first, no one has had time or inclination to read it (which is fine, as we’re all busy) or have and have either forgotten to give feedback. Or they’ve read it and hated it, but didn’t like to knock me back by saying anything. Whichever it is, I cannot disguise my sadness. But as Locke would say, it is what it is. The novel will probably now sit on my hard drive and gather dust.

As well as the novel, I have managed to write some short stories, most of which are longhand in various notebooks. My levels of confidence in my writing is now so low that it seems better to go back to basics and write a first draft where no one but me will ever see it. I’ve done four or five in my proto-collection of fragrant fiction, short tales inspired by famous perfumes, and a few others. I did get as far as collecting and fiddling with an array of short stories that are basically modern fables for grown ups; I asked for a few volunteers from friends (largely on Facebook) to have a scan. About half of those who offered to read got back to me, and overall the collection passed muster, with some very helpful and uplifting feedback. My next task is to implement some small editorial changes before proofreading and the rest of the process of getting them published. It’s reminded me that I’m very good at the short form, even if short stories are not what people (apparently) want to read in collections from one author. Like poetry, like the literary-ish fiction I specialise in, it seems that another of my skills is in something hardly anyone wants. In a market that is totally saturated, getting noticed is now pretty much impossible unless you have a lot of money, time and energy to throw at it, as well as luck. My best plan is to continue to write what comes to me and therefore, one person is happy. The wonderful folk who read and enjoy and even review my books, may also be happy.

I often sit in awe at the people who write numerous books each year, and get them out there. I’m more than aware of the hard work and discipline involved. Bum in chair, social media disconnected, are but two of the steps needed. I’ve tried. Oh believe me I have tried, this year, to be more productive. Ideas flare, like matches in the darkness, and splutter out in the wake of “oh what’s the point?” It feels as if everything’s already been done, and done to death; I know that each author approaches an idea with their own voice. But I cannot overcome the inertia of the terrible feeling of pointlessness, when my own voice seems to die on the wind. Ill health (both mental and physical) and the invisibility, the sense of irrelevance of self, that seem to accompany middle age, have taken all the oomph out of me. I doubt that I have anything to offer the world, and increasingly, that there’s nothing the world can offer me, any more. Forgive me if this sounds depressing, but this is my reality at present.

I watch the world around me, and find that the microcosm of my back garden has brought me more joy than the wider world. I can barely watch the news any more. Yet seeing a charm of goldfinches bathing in the pond, or hearing the love songs of frogs on a spring night, or smelling the sweet fresh scent of hyacinths blooming in a forgotten corner, remind me that while wars and rumours of war go on, nature battles on, with beauty and sorrow balanced in an eternal cycle. When I go out, last thing at night, to put out food for errant hedgehogs and for the feral cat who lives at the bottom of the garden, I look up at the white stars twinkling in a frosty sky, and the vastness of the universe presses down on me, yet I can still say, “I endure. I am here, for a little while.”

I cannot make predictions for 2018. Or promises or hopes or ambitions. It will be whatever it is, whether I hope or don’t hope. But I wish that for you and for me, it may bring joy and meaning, healing and fulfilment, and understanding and forgiveness. All the rest is fluff that blows away on the winds of time like dandelion clocks when the seeds have been eaten.

My Reading Round-Up of 2017

My Reading Round-Up of 2017

According to my notebook that I use instead of Goodreads (which I loathe, more of that later) I read 78 books in 2016. I’m coming in a bit behind that this year. At the time of writing, it’s 73 completed, but as I am close to the end of a number, there’s a real chance the total will go up a bit before midnight strikes and I turn into a pumpkin. Oh, sorry, wrong fairy tale.

Around 30 or so of those titles were non fiction, some of which were poetry, some of which were part of my journey into Jungian thought and some were to do with health and on natural history.

Of the fiction, I’m not going to talk about the books that I read and didn’t enjoy, or the ones I gave up on. It’s too common for disgruntled authors to take umbrage and offence if a reader mentions they didn’t like a book; it’s one reason I avoid Goodreads as a reader. As an author, I avoid it because there are plenty of readers who can be extremely mean and unkind when a book has failed to live up to their expectations; it’s also quite difficult to be thick-skinned about seeing a fellow-author give a low star to one of my own books when they’re someone I’ve chatted with on social media etc and been quite affable with. While almost all writers I know are wonderful and supportive people, I’m sure we have all come across a few who would take your breath away with how nasty they can be to other writers. I heard a tale recently of one author who tweeted a picture to another author, of that other author’s book in a remainder bin at a cut-price book shop.

I stepped out of my comfort zone too, and I read two novels that fit very much into the fantasy genre and one science fiction. Early in the year I read and very much enjoyed https://www.amazon.co.uk/Mountain-Darkling-Chronicles-Sophie-Tallis/dp/1909845973/ White Mountain by Sophie Tallis; it has the unique aspect of a main character being a dragon and a “goodie”. It took me out of myself during a tricky time. The second fantasy novel was https://www.amazon.co.uk/Song-Ice-Lord-Parallels-Clement-ebook/dp/B00L72RTY0/ Song of the Ice Lord by J.A Clement; I found this a fabulous read, not only because of the beautiful and compelling descriptive writing but also by the sensitive way Ms Clement handled various relationships. Another bonus was the little green bird who became a beacon of hope in the story. Also by the same author is a wonderful seasonal novella/longer short story A Sprig of Holly: https://www.amazon.co.uk/Sprig-Holly-J-Clement-ebook/dp/B00AICTQSM/ which is free to enjoy.

The science fiction title was Running Out of Space by S.J Higbee. https://www.amazon.co.uk/Running-Out-Space-Sunblinded-One-ebook/dp/B076BV5LS8/ I found this a refreshing reintroduction to sci-fi, something I used to enjoy very much but abandoned in my twenties when it became too mysogynistic and entirely male-dominated. Depicting a somewhat dystopian future, this fast-paced novel entertained me while slogging away at the gym.

I revisited my old favourites, acquiring a variety of secondhand paperback copies of some classic Agatha Christie mysteries, some of which I had not read for decades. It was good to read them again and understand quite how much she created the genre of cosy mystery.

Not quite cosy, but still very compelling, was another departure from my comfort zone, in the form of Ailsa Abraham’s Attention to Death https://www.amazon.co.uk/Attention-Death-Ailsa-Abraham-ebook/dp/B01MRBTYLX/ . A murder mystery set among military police, with the two main characters trying to conduct a discreet love affair (very much against protocol, in all sorts of ways) this contains one of the grimmest of murders (be warned, not for the faint of stomach) and does not flinch from revealing inherently homophobic attitudes among many of the characters and institutions. A good, if somewhat grim at times, variation on the classic murder mystery. I’m not a fan of romance, gay or otherwise, but I didn’t find that aspect of the story intruded unduly.

On the same sort of genre (but not precisely) I read my way through two box-sets of the Charlie Parker mysteries, by John Connelly. Of the eight books that I raced through, some I found better than others, and more than half were superb. Quirky, veering into the supernatural territory, they’re a real treat if you like detective novels that challenge the norm and subvert the genre. Another novel that comes under that heading was Thea Atkinson’s Grim. Billed as a Young Adult novel, this was another nicely diverting read for my gym torture. https://www.amazon.co.uk/Grim-Reapers-Redemption-Thea-Atkinson/dp/1543087876/

One of my Christmas presents last year was Caitlin Matthews Diary of a Soul Doctor https://www.amazon.co.uk/Diary-Soul-Doctor-Ashington-Casebooks-ebook/dp/B01N94TS3M/ . I had to make myself read this slowly, because I wanted to make it last. In the same genre (whatever it might be) as Dion Fortune’s Tales of Dr Taverner, this collection of linked tales is a highly diverting and intriguing exploration of the esoteric using (as Fortune did) fiction as a medium. I also read Matthews’ non-fiction Hundred Steps to the Grail, about the process of researching and writing a book about a book on the search for the Holy Grail https://www.amazon.co.uk/Hundred-Steps-Grail-Writers-Diary-ebook/dp/B01EXKSNDS/ and as a writer, I found the details of the process fascinating and revealing.

Among the non-fiction were a couple of excellent natural history books. Peter Wolhlenben’s The Hidden Life of Trees, https://www.amazon.co.uk/Hidden-Life-Trees-International-Communicate/dp/0008218439/ kept me from my fear of flying when I went to Austria in February, and was a deeply enjoyable and informative book. Fiona Stafford’s The Long Long Life of Trees covered a very different aspect of tree lore but was equally interesting, though I felt at times it tended towards a journalistic skimming of the surface rather than a deeper exploration. https://www.amazon.co.uk/Long-Life-Trees/dp/0300228201/ . I also very much enjoyed Robert Macfarlane’s The Wild Places https://www.amazon.co.uk/Wild-Places-Robert-Macfarlane/dp/1783784490/, though I did find at times a certain sense of irritation at the apparent assumption that the things the author did and the places he visited are open to all (when they aren’t), regardless of ability or status. But that’s only a slight cavil and speaks more of my own growing frustration at my health challenges.

Roz Morris’s Not Quite Lost (travels without a sense of direction) was a good read, entertaining and thought-provoking in equal measure. https://www.amazon.co.uk/Not-Quite-Lost-Travels-Direction/dp/1909905925/ There’s a sense of great British-ness about this travel memoir that is infused all through the text like the scent of tea.

One novel I got to read this year I cannot give a link to. Philippa Rees asked me to beta read a novel she entitled Acer and I am not sure quite what genre is falls under. Magical Realism might do, but it veers almost into science fiction. One of the premises of the tale is on human-plant hybrids, which makes it sound clinical but it’s a very tender tale of what makes us human and what parenthood is really about. I hope that she makes a decision to stick by her guns and the original vision of the story, and publishes it (and another novel I read last year). Perhaps the world is ready for the visionary and metaphysical works that Philippa has hidden on her hard drive.

In addition to these I read a number by Marie-Louise von Franz, acolyte, pupil and colleague of Jung’s, and a whole range of books on alchemy, psychology, Arthurian myths and legends and the grail. I’m around a third of the way through Jung’s own book on alchemy, but am unlikely to finish before year’s end, as it is much to think about and digest.

Having read all that, you might think I didn’t have time to write, but you would be wrong. I’ll save that topic for another post.